Il Papa - Baramattio (reconstruction)
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steps La Vita Ippiter Lasso Non Mi Parto I Tromboni La Traditora Lucretia Che Faralla La Primavera La Reale La Franciosetta Lo Dimostra La Villanella Baramattio Fiammetta

Baramattio

By Giovannino

transcription and translation

trans. meas. man 1 lady man 2 notes end position
Section 1
12:24:18-19 1 cL cR cL cR cL cR

All together

The lady turns at the end of the sequence - probably as part of the last step

 line
2 RL RL RL
12:24:19-20 3 sL sR sL sR sL sR
4 pL pR pL pR pL pR pL pR pL pR pL pR
12:24:20-22 5 ½rL ½r? ½rL ½r? ½rL ½r? As in la Reale, this doesn't specify the number of riprese (other than that it's plural), nor does it call this a Volta di Lasso - in fact, in section 3, this part is right after an explicit Volta di Lasso - so is clearly different.
6 vL vL vL
Section 2
12:24:23-25 7 sL sR sL sR Holding hands, turning 360°, direction, and which hands unspecified.
8 pL pR pL pR pL pR pL pR
12:24:25 - 13:25:1 9 sL sR sL sR

Holding hands, turning 360°, direction, and which hands unspecified - presumable the opposite of what the lady just did

The lady does not turn to face the same way when they are done
10 pL pR pL pR pL pR pL pR
13:25:2-3 11 ½rL ½r? ½rL ½r? ½rL ½r? see first section
12 vL vL vL
Section 3
13:25:4-7 13 sL sR sL sR sL sR

Everyone straight forwards, so they end up far apart.

Only the lady turning towards the men at the end

 tall triangle
14 dL dL dL
13:25:7-10 15 PfR PfR PfR passo falso, turning to face (even though the lady is already facing). A passo falso is a ripresa under the left foot and a passo on the right foot - note the clear implication that both steps are with the right foot.
13:25:10-11 16 ½rL ½rR vLR ½rL ½rR vLR ½rL ½rR vLR An explicit Volta di Lasso
17 ½rL ½r? ½rL ½r? ½rL ½r? see first section
18 vL vL vL
trans. meas. man 1 lady man 2 notes end position
Section 4
13:25:12-13 19 sL sR sL sR sL sR Approaching line
20 dL dL dL
13:25:13-15 21 PfR PfR PfR Not entirely legible, but these passi falsi seem each to turn 180°
13:25:15-16 22 PfR PfR PfR
13:25:16-17 23 ½rL ½r? ½rL ½r? ½rL ½r? see first section
24 vL vL vL
Section 5
13:25:18-20 25 tL tR tL tR turning 360° with right hands
26 tL PR tL PR
13:25:20-22 27 tL tR tL tR turning 360° with left hands
28 tL PR tL PR
13:25:22-23 29 ½rL ½r? ½rL ½r? ½rL ½r? see first section
30 vL vL vL
Section 6
13:25:24-26 31 tL tR tL tR tL tR

Treccia, hands unspecified, men changing places

Assuming this is a hay-and-a-half, not half-a-hay, this is fast. It means slightly less than 1 trapassino per switch

The main concern is that the lady gets back to place - the men should consider getting her back their job. If they do their job, they will end in the right place naturlaly.

Needless to say, we recommend using hands
32 tL tR tL tR tL tR
33 tL tR tL tR tL tR
34 tL tR tL tR tL tR
13:25:26-28 35 ½rL ½r? ½rL ½r? ½rL ½r? see first section, except this time, with the 4 passetti, the lady comes back in line (implying she wasn't in line at the end of the treccia
36 vL pL pR pL pR vL

Notes